Conference & event coverage

Event and conference filming is unforgiving — there is one take, the schedule does not wait, and the atmosphere of a room is gone the moment it passes. Over the past decade I have covered conferences, summits, and corporate events across Europe and North America, and a large share of that work is repeat business, which is the clearest signal that the footage delivered.

I have worked with Brain Corp for five years, covering their events and product launches in San Diego, where they are based, New York and Las Vegas. That kind of multi-year, multi-city relationship is how I prefer to work — knowing a client's brand, people, and expectations well enough that each shoot runs faster than the last.

At World Expo 2017 in Astana, I was the sole video and photography coverage for the Future Energy Forum — a series of twelve conferences over the course of the Expo. Working alone, I shot and edited thirteen films, one for each conference plus a wrap-up, and produced all the photography across every session. It was one of the most demanding solo assignments I have taken on, and it is the clearest example of what a single experienced operator can deliver across a major multi-day international event. It was also where I filmed my interview with Nobel laureate George Smoot.

I have also covered some of the most significant industry events in Europe and beyond. I filmed EU PVSEC — the world's largest conference on photovoltaic solar energy, coordinated by the European Commission's Joint Research Centre — across two consecutive editions, in Lisbon (2023) and Vienna (2024). I covered Aria Recur 2025, the annual customer conference of the enterprise billing platform Aria Systems, in Cascais, Portugal; the Customer Experience Exchange for Retail Europe in Lisbon (2025); the World Aviation Festival in Lisbon (2023); and Web Summit, where I filmed for Polkadot (2022) and for Huawei's Developer Day (2019). I have covered pharmaceutical summits for Pfizer and Gilead, the World ADC congress in San Diego (2022), and a KAICIID interreligious dialogue event in Lisbon (2024), where I filmed Graça Machel during her speech. I have also filmed at Money Expo Mexico in Mexico City, one of Latin America's largest fintech events.

My approach to event coverage is cinematic rather than documentary. Most of my highlight films are built from atmospheric b-roll — the texture and energy of the room, the speakers, the audience, the moments between sessions — cut to music to capture how the event felt, not just what was said. Where it adds depth, I record cinematic interviews with attendees and speakers on location, lit and framed properly, woven into the edit. Highlights can be turned around fast — often same-day or next-day — so teams can publish while the event is still live in people's minds.