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Testimonial Videos



A testimonial for Pixellot, the AI-automated sports video platform, featuring the Michigan Cagers using Pixellot's technology to capture their games.

A good testimonial looks effortless and is anything but. The person on camera is usually not a performer — they are a customer, an executive, or an employee who has never been lit and miked before, and the job is to make them comfortable enough to speak naturally while the setup stays broadcast-clean. That combination of a calm, unhurried set and technically precise craft is what separates a testimonial people believe from one they skip.


For Brain Corp I filmed a customer testimonial at the Dallas-Fort Worth toy and car museum, featuring the autonomous floor scrubber built by Tennant and powered by Brain Corp's BrainOS software. It's a polished, cinematic piece — the kind of customer story that shows a product working in a real environment through the words of the people who use it.


A customer testimonial for Brain Corp, filmed at the Dallas-Fort Worth toy and car museum, featuring the Tennant autonomous scrubber powered by BrainOS software.
An employer-branding testimonial series for Zühlke, the engineering and innovation consultancy, in which employees describe how the company's flexibility has improved their working lives.

The same approach works across very different settings. For Aria Systems, the enterprise billing and monetization platform, I produced customer testimonials that let their clients explain the value of the product in their own words. For the engineering and innovation consultancy Zühlke I filmed an employer-branding series in which employees describe how the company's flexibility has changed their working lives — a different kind of testimonial, aimed at attracting talent rather than customers. I have also filmed intern testimonials for Brain Corp's internship program and customer stories for clients including Cenesspa in Mexico City.

Intern testimonial video for Brain Corp featuring participants describing the internship program, filmed by Theo Solnik.


Whatever the format, the work is delivered fast — first cuts within 24 to 48 hours of the shoot, final corrected video within 24 hours of your feedback — and edited, colour graded, and sound mixed in-house.


Professional cinema camera used by Haikai Media to shoot corporate productions

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If you don't have a brief yet, that is fine — most useful first conversations begin with a problem rather than a specification. Tell me what you are trying to make and who it is for, and I will tell you honestly whether Haikai Media is the right studio for it.

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