Industrial Videos
On an active factory floor, the shoot works around production — not the other way around. Filming happens between live machinery and real operational schedules, capturing the process clearly without slowing it down. Over the years I have shot inside rail depots, manufacturing plants, and automated warehouses across Europe, North America, and Latin America.
For CAF Italia, one of the international leaders in the design and supply of rail transportation systems, I filmed inside their active Rome depot in 2024, coordinating with the engineering team to work around live maintenance operations. The brief covered two parallel stories: the transformation of an industrial structure into a fully operational rail maintenance facility, and the engineers and technicians who run it. I set up controlled interview positions on the depot floor, then moved through the maintenance bays and equipment areas for observational footage, keeping visual coherence between the lit interviews and the live operational filming.
I have filmed manufacturing and technical operations for a range of industrial clients internationally: Saint-Gobain, the building-materials manufacturer, in Mexico City; MAN Truck & Bus in Portugal; the Donaldson filtration plant in the Czech Republic; and Peterson Spring's manufacturing plant in Querétaro, Mexico, where I combined ground footage with aerial drone coverage of the facility. Each shoot works around the realities of a live plant — safety zones, active lines, and the rhythm of the floor.
I have also filmed Brain Corp's autonomous warehouse technology in operation, covering their inventory-scanning and robotic floor-cleaning systems in a working warehouse environment. Filming autonomous machines at work requires anticipating movement and timing coverage to the equipment rather than the other way around.
My typical industrial setup is a RED Komodo 6K with Zeiss Standard Speed primes, a DJI RS 3 Pro gimbal for moving coverage of lines and facilities, and a DJI Air 2S drone for aerial and exterior shots where the site allows. First cuts arrive within 24 to 48 hours of wrap; the final corrected video follows within 24 hours of your feedback.
